An Intern to Be Proud Of

October 28th, 2009

My undergraduate student intern has completed her installation of photographs from the first days of the Berlin Wall in a show she calls Halt! Grenze. She did fantastic work and the show is generating a fair amount of foot traffic already. Her show is part of a larger effort called Freedom Without Walls, sponsored by the German Embassy.

Speaking to my student today just before her show’s opening, it was clear that the internship accomplished everything that it should have. She gained a much greater understanding of a whole variety of issues related to both history and art history (we’re a combined department here at Mason). When I asked her what she thought was the most important thing she learned, she said it was the complexity of copyright issues in our two fields, particularly with respect to digital matters. Who knew that an internship in art history could end up helping a student learn a lot about copyright and fair use?

Needless to say, I’m very proud of my student and am already thinking about what new internships I can come up with. If you haven’t taken on an intern for this sort of one-on-one scholarly work, I highly recommend it as an alternative to the standard independent reading that is so ubiquitous in history departments around the country.

What We Did Last Summer

September 25th, 2009

Digital Campus is back on the air after a summer break. Although we don’t reveal much about what we did during the summer, we do talk a lot about what the world of digital humanities has been up to over the past several months. Take a listen, see what you think, and give us some feedback. If you are one of those Twitter people out there, I suppose you can tweet us too, but I can’t tell you how to do that…

Internships in History

September 18th, 2009

This semester I’m fortunate to have the opportunity — two opportunities really — to supervise an undergraduate and a graduate student working on two very different internships. The typical history internship is one where the student works at a client site off campus and the supervising professor simply makes sure something that has academic merit is happening (more than learning to run the copier at a local museum, for example). In my case, however, I am the client for both of these internships. Being in that role has gotten me thinking more about how we might integrate the internship experience more explicitly into our curricula.

First, though, I want to brag on my students a little. Here at George Mason we are a combined department of history and art history and the undergraduate internship I am supervising is for art history credit. As part of the Freedom Without Walls program we are staging here this fall to commemorate the 20th anniversary of the fall of the Berlin Wall, my student is putting together a photographic exhibition using images from the Library of Congress’s Look magazine collection. These images, taken by the photographer Paul Fusco in 1961, offer her a fantastic, yet limited, collection of material to work with — perfect for a one semester project.

Berlin Wall 1961

Even though we are only in the first weeks of the semester, my student has had to learn a lot about working in the LOC, about copyright and fair use, about photo duplication, and other things we might call the technical skills of the historian (or art historian in her case). But the much more valuable lessons she is learning, it seems to me, have to do with the central issues governing what she is doing — What is the narrative of the show she wants to mount? How will the creative decisions she makes — selection of images, framing of the work, arranging them in space, the text she provides visitors — effect the reception and perception of the work itself? I won’t do any of that thinking for her and she is obviously enjoying having to make all these choices, even as she has admitted that doing so is pretty hard.

The other intern is one of our MA students who is interested in a career in archival work. The project she has undertaken for me is to weed through the archival remnants of the records of the Civic Education Project, an international educational NGO I helped run for many years. When CEP closed down, it fell to me to (shudder) have the files of the organization shredded. I saved about 10 boxes of material I deemed worth keeping as a small archive and she is now learning all about meta data, proper storage, writing finding aids, etc. Once she is done, the collection will find a home in our Special Collections division of the University Library. As with my undergraduate student the hands on experience she is having has introduced her to a whole new level of complexity when it comes to thinking about archives and how they are structured.

I have to admit that while supervising these internships is fairly labor intensive, it’s also a lot of fun. Maybe it’s because I’m deaning at the moment and so miss the level of student contact that I’ve grown accustomed to, but I also think that all three of us are really enjoying the learning experiences in ways that transcend what happens in the typical classroom.

So what to do? I won’t have any more internships to offer Mason students after this semester. But I once I leave the dean’s office and come back from a well-earned study leave, I want to see what I can do to make internships a much more intrinsic part of what we do in our department, especially at the undergraduate level. We are blessed with literally hundreds of internship possibilities here in the D.C. area, so finding sites for the students won’t be a problem. Figuring out how to make interning an intrinsic part of the major will be the issue.

I raised this question in a series of posts on the undergraduate curriculum two years ago, but at the time was speaking from an “outsider’s” perspective in that I’d never been this deeply involved in internship work. Now that I’m having these experiences (my own internship as it were), I’m hoping my views on the subject will be much better informed.

Irony of Ironies

September 9th, 2009

This semester I am teaching my graduate course — Teaching and Learning History in the Digital Age — and on our first night of the semester we had what my older son would call “a fail.” In this case, it was a “classroom fail.” Why? Because the room to which we were assigned was not only almost too small to fit the 16 of us, but because the technological capability of the room was decidedly old school.

We had an overhead projector and a television set with DVD/VHS player.

Somehow, it seemed to me (and to the students), it was going to be a little difficult to teach and learn about teaching and learning in the digital age in a decidedly undigital room. Fortunately, I was able to locate a conference room (with a laptop and a projector) that we could use. Otherwise it would have been a very challenging semester, to say the least. It was, however, a good lesson for the students, many of whom are already or plan to be history teachers. You never know what kind of classroom you are going to get until you get there, so be prepared just in case.

And, of course, the power might go off, or the servers might crash, or your laptop my start smoking. So always be ready.

I would share my syllabus and/or class blog for this course, but this semester the whole thing has gone into a closed Zotero group. Like my colleague Sean Takats, I am teaching through a Zotero group (using the 2.0 Beta version) of the software instead of the blog I’ve used with such good results over the past six years.

Why would I forsake the blog platform when it has worked reasonably well? I am hoping that by having my students create a Zotero library for the course, complete with notes, tags, annotations, related resources, etc., something new and different will happen. In prior years, my graduate students used the class blog quite well, posting reflections on readings and talking to one another. But once the semester was over, pffttt, the blog was over. In six or seven years of class blogging with students, only once or twice did anyone ever go back to the blog and add something. And even then it was an isolated post that didn’t generate any response.

But, a Zotero library that will become an annotated bibliography on teaching and learning history is a resource that not only my students, but history teachers all over the world can use now and in the future. My hope is that not only my students, but also others (once we open it up to the public) will use and add to the library we are creating.

Why keep it closed to the public during the semester? Despite my devotion to opening our teaching to public inspection, at least for now, I want the students to have some privacy as they learn the ins and outs of Zotero. Also, because we are creating a public resource that will eventually become open to others who might want to edit or add to what we’ve created, I need to be able to assess the work my students have done for the purpose of grading them. If anyone wandering by can change their work, it will be quite difficult for me to give my students a clear and valid assessment.

Stay tuned for more updates on this project.

For those who have been regular readers of this blog, I apologize for going silent throughout the summer. Personal matters dictated that I push aside all but the most essential things and I have to admit that, as much as I am devoted to it, this blog fell into the category of an optional activity. I’m back now.